Thesis, antithesis, synthesis

Yesterday, I was looking after the Bs and we watched the end of the classic 1964 Italian film, Michelangelo Antonioni's Il Deserto Rosso.

B1 was impressed by the auteur's pointed dissection of contemporary urban ennui and the depiction of existential neurosis against a prophetic backdrop of environmental degradation.

B2 preferred to consider Antonioni's obsessively precise use of colour in the development of the mise en scene, following the monochromatic brilliance of his earlier trilogy L'Avventura, La Notte and L'Eclisse.

I thought that Monica Vitti had nice tits.